arthistoricum.net

Wir konnten – mit Unterstützung der DFG - unser Angebot an kunstwissenschaftlich relevanten E-Books, die als FID-Lizenz deutschlandweit für einen fachspezifischen Nutzerkreis bereitgestellt werden, um 105 englischsprachige Titel internationaler Verlage erweitern.
Sie können auf dieses Volltext-Angebot zugreifen, sofern Sie sich registriert haben und zum berechtigten Nutzerkreis gehören. Weitere Informationen dazu finden Sie auf unserer Service-Seite FID-Lizenzen.
Die e-Books wurden von der UB Heidelberg und der SLUB Dresden aus dem Angebot JSTOR Books ausgewählt und erworben.

Außerdem stehen als FID-Lizenzen diese Angebote  zur Verfügung:

• The Index of Medieval Art (Princeton University) (ehemals Index of Christian Art)
• 307 E-Books italienischer und spanischer Verlage (Torossa E-Books, Casalini)
• Faenza. Bollettino del Museo Internazionale delle Ceramiche in Faenza; rivista bimestrale di studi storici e di tecnica dell'arte ceramica, 2011ff. (Torossa E-Journals, Casalini)

Liste der neuen Titel:

•  Apollo and Vulcan: The Art Markets in Italy, 1400-1700 (Michigan State University Press, 2011)
• Gilles Deleuze and the Ruin of Representation (University of California Press, 1999)
• Artifacts and Allegiances: How Museums Put the Nation and the World on Display (University of California Press, 2015)
• Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880-1930 (University of California Press, 2003)
• The Pilgrim Art: Cultures of Porcelain in World History (University of California Press, 2010)
• Subtle Bodies: Representing Angels in Byzantium (University of California Press, 2001)
• Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts (University of California Press, 2013)
• Mediating Netherlandish Art and Material Culture in Asia (Amsterdam University Press, 2014)
• The German Werkbund: The Politics of Reform in the Applied Arts (Princeton University Press, 1978)
• Kentucky by Design: The Decorative Arts and American Culture (University Press of Kentucky , 2015)
• Marxism and the History of Art: From William Morris to the New Left (Pluto Books, 2006)
• Hidden in the Shadow of the Master: The Model- Wives of Cézanne, Monet, and Rodin (Yale University Press, 2008)
• Design And Truth (Yale University Press, 2010)
• Mute Poetry, Speaking Pictures (Princeton University Press, 2013)
• The Early Renaissance and Vernacular Culture (Harvard University Press, 2012)
• Giotto and His Publics: Three Paradigms of Patronage (Harvard University Press, 2011)
• Solar Dance: Van Gogh, Forgery, and the Eclipse of Certainty (Harvard University Press, 2012)
• Cultural Exchange: Jews, Christians, and Art in the Medieval Marketplace (Princeton University Press, 2013)
• Spirit of the Delta: The Art of Carolyn Norris (University Press of Mississippi, 2011)
• What Art Is (Yale University Press, 2013)
• Reading Abstract Expressionism: Context and Critique (Yale University Press, 2005)
• Thomas Hovenden: His Life and Art (University of Pennsylvania Press, 2006)
• Art at Auction in 17th Century Amsterdam (Amsterdam University Press, 2002)
• In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias (Amsterdam University Press, 2006)
• Exhibiting Cinema in Contemporary Art (Amsterdam University Press, 2013)
• Why Are Artists Poor?: The Exceptional Economy of the Arts (Amsterdam University Press, 2002)
• A Real Van Gogh: How the Art World Struggles with Truth (Amsterdam University Press, 2010)
• The Learned Eye: Regarding Art, Theory, and the Artist's Reputation (Amsterdam University Press, 2005)
• Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History (Amsterdam University Press, 2003)
• Rembrandt, Reputation, and the Practice of Connoisseurship (Amsterdam University Press, 2004)
• Art in Progress: A Philosophical Response to the End of the Avant-Garde (Amsterdam University Press, 2003)
• Early Netherlandish Paintings: Rediscovery, Reception and Research (Amsterdam University Press, 2005)
• The Visible World: Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age (Amsterdam University Press, 2008)
• How to Study Art Worlds: On the Societal Functioning of Aesthetic Values (Amsterdam University Press, 2009)
• The Rise of the Cult of Rembrandt: Reinventing an Old Master in 19th-century France (Amsterdam University Press, 2003)
• Nabokov and the Art of Painting (Amsterdam University Press, 2006)
• Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries (Amsterdam University Press, 2008)
• Inventing Falsehood, Making Truth: Vico and Neapolitan Painting: Vico and Neapolitan Painting (Princeton University Press, 2013)
• Essay on Gardens: A Chapter in the French Picturesque (University of Pennsylvania Press, 2003)
• A Living Exhibition: The Smithsonian and the Transformation of the Universal Museum (University of Massachusetts Press, 2013)
• The Medieval Salento: Art and Identity in Southern Italy (University of Pennsylvania Press, 2014)
• The Serpent and the Lamb: Cranach, Luther, and the Making of the Reformation (Yale University Press, 2011)
• The Artist and the Warrior: Military History through the Eyes of the Masters (Yale University Press, 2011)
• Picturing Russia: Explorations in Visual Culture (Yale University Press, 2008)
• Panaesthetics: On the Unity and Diversity of the Arts (Yale University Press, 2014)
• Bernard Berenson: A Life in the Picture Trade (Yale University Press, 2013)
• Fictions of Art History (Yale University Press, 2013)
• PUR Facts: Conservation of Polyurethane Foam in Art and Design (Amsterdam University Press, 2011)
• The Universal Art of Samuel van Hoogstraten (1627-1678): Painter, Writer, and Courtier (Amsterdam University Press, 2013)   The Signature Style of Frans Hals: Painting, Subjectivity, and the Market in Early Modernity (Amsterdam University Press, 2012)
• Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean (Amsterdam University Press, 2013)
• Jorge Oteiza, hacedor de vacíos (Marcial Pons Ediciones de Historia, 2011)
• Tiziano y las cortes del Renacimiento (Marcial Pons Ediciones de Historia, 2013)
• Las imágenes de la discordia: Política artística en el tiempo de los Reyes Católicos (Marcial Pons Ediciones de Historia, 2007)
• Text and Image in Modern European Culture (Purdue University Press, 2012)
• The Memory Factory: The Forgotten Women Artists of Vienna 1900 (Purdue University Press, 2012)
• Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity (Princeton University Press, 2011)
• Picture Perfect: Life in the Age of the Photo Op (Princeton University Press, 2008)
• Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity (Princeton University Press, 2006)
• Stealing the Show: Seven Women Artists in Canadian Public Art (McGill-Queens University Press, 1994)
• Seduced by Modernity: The Photography of Margaret Watkins (McGill-Queens University Press, 2007)
• The Collected Letters of William Morris, Volume II, Part A: 1881-1884 (Princeton University Press, 1987)
• The Theory of the Arts (Princeton University Press, 1982)
• Crafting Identity: The Development of Professional Fine Craft in Canada (McGill-Queens University Press, 2005)
• Renaissance Perspectives in Literature and the Visual Arts (Princeton University Press, 1987)
• The Collected Letters of William Morris, Volume II, Part B: 1885-1888 (Princeton University Press, 1987)
• Sphaerae Mundi: Early Globes at the Stewart Museum, Montreal (McGill-Queens University Press, 2000)
• The Practice of Her Profession: Florence Carlyle, Canadian Painter in the Age of Impressionism (McGill-Queens University Press, 2009)
• In Good Hands: The Women of the Canadian Handicrafts Guild (McGill-Queens University Press, 1999)
• Suspended Conversations: The Afterlife of Memory in Photographic Albums (McGill-Queens University Press, 2001)
• Reclaiming William Morris: Englishness, Sublimity, and the Rhetoric of Dissent (McGill-Queens University Press, 1996)
• Jan van Noordt: Painter of History and Portraits in Amsterdam (McGill-Queens University Press, 2007)
• Angel in the Sun: Turner's Vision of History (McGill-Queens University Press, 1999)
• Arctic Artist: The Journal and Paintings of George Back, Midshipman with Franklin, 1819-1822 (McGill-Queens University Press, 1994)
• A Russian Paints America: The Travels of Pavel P. Svin'in, 1811-1813 (McGill-Queens University Press, 2008)
• The End of the American Avant Garde: American Social Experience Series (New York University Press, 1997)
• Modern Theories of Art 2: From Impressionism to Kandinsky (New York University Press, 1998)
• Modern Theories of Art 1: From Winckelmann to Baudelaire (New York University Press, 1990)
• Made in Canada: Craft and Design in the Sixties (McGill-Queens University Press, 2005)
• The Invention of a People: Heidegger and Deleuze on Art and the Political (Edinburgh University Press, 2015)
• Bergson and the Art of Immanence: Painting, Photography, Film, Performance (Edinburgh University Press, 2013)
• Singular Images, Failed Copies: William Henry Fox Talbot and the Early Photograph (University of Minnesota Press, 2015)
• Bauhaus Weaving Theory: From Feminine Craft to Mode of Design (University of Minnesota Press, 2014)
• Architecture since 1400 (University of Minnesota Press, 2014)
• Seeing Witness: Visuality and the Ethics of Testimony (University of Minnesota Press, 2009)
• The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500-1700 (University of Minnesota Press, 2011)
• Engraving the Savage: The New World and Techniques of Civilization (University of Minnesota Press, 2008)
• Drawing on Art: Duchamp and Company (University of Minnesota Press, 2010)
• Too Beautiful to Picture: Zeuxis, Myth, and Mimesis (University of Minnesota Press, 2007)
• Collecting Mexico: Museums, Monuments, and the Creation of National Identity (University of Minnesota Press, 2012)
• Absolute Artist: The Historiography of a Concept (University of Minnesota Press, 1997)
• Sheer Presence: The Veil in Manet’s Paris (University of Minnesota Press, 2006)
• Cinema’s Alchemist: The Films of Péter Forgács (University of Minnesota Press, 2011)
• Compelling Visuality: The Work of Art in and out of History (University of Minnesota Press, 2003)
• The Color of Stone: Sculpting the Black Female Subject in Nineteenth-Century America (University of Minnesota Press, 2007)
• Installation and the Moving Image (Columbia University Press, 2015)
• Under Suspicion: A Phenomenology of Media (Columbia University Press, 2012)
• Portable Borders: Performance Art and Politics on the U.S. Frontera since 1984 (University of Texas Press, 2015)
• The Fleeting Promise of Art: Adorno's Aesthetic Theory Revisited (Cornell University Press, 2013)
• The Total Work of Art in European Modernism (Cornell University Press, 2011)
• The Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe (Boydell & Brewer Group Ltd, 2013)
• Art, Faith and Place in East Anglia: From Prehistory to the Present (Boydell & Brewer Group Ltd, 2012)
• Common Land in English Painting, 1700-1850 (Boydell & Brewer Group Ltd, 2012)
• English Medieval Misericords: The Margins of Meaning (Boydell & Brewer Group Ltd, 2011)
• The Green Bloc: Neo-avant-garde Art and Ecology under Socialism (Central European University Press, 2015)